Emmanuelle Andrianjafy

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The Maze (2018-) (temporary title)

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The Maze © Emmanuelle Andrianjafy

photography award 2025

After twenty years spent abroad without ever returning to her native country, Emmanuelle Andrianjafy initiated this project as a way of questioning the link she maintains with Madagascar, where her parents still live. Her childhood was marked by memories of tensions, both internal and external. For a long time, these frustrations prevented her from photographing her country. With the benefit of hindsight, she is now taking a fresh look at her parents, the places of her past and her own current presence.

The project began in 2018. She returned to Madagascar several times, taking the time to immerse herself in each place before capturing the images. 
Her slow, introspective approach favors attentive observation over immediate gesture. This work constitutes both a personal testimony and a broader reflexion on exile, identity and family ties across distance.
Now in the final phase of creation, the photographer wishes to conclude this journey by refocusing on her parents and her intimate circle. She also plans to extend her research to East Africa, notably in the mountainous regions of Kenya's neighboring countries, where she has found a refuge conducive to silence and calm.

Emmanuelle Andrianjafy

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© DR

MADAGASCAR

Born in Madagascar in 1983, Emmanuelle Andrianjafy is a photographer based in Nairobi, Kenya. Originally an electrical engineering graduate, she turned to photography in 2013. Between 2015 and 2017, she attended Atelier Smedsby, 
an international photography workshop. Her practice is rooted in her personal life and intimate experience.
Her first major project, Nothing's in Vain, won the 2017 MACK First Book Award as well as the Contemporary African Photography Prize, and figure among the finalists of the Aperture Portfolio Prize. She is nominated for the Prix Pictet Hope in 2019, and the James Barnor Prize in 2023.

Her first solo exhibition takes place in 2017 at Photo London, with MACK. In 2024, she was selected from over 3,000 applicants to participate in the "Human.Kind." exhibition at the International Red Cross and Red Crescent Museum in Geneva, as part of the Prix Pictet. In 2023, she took part in the inaugural "Mu'awiya's Thread" exhibition at Le32bis in Tunis.
Her work has also been presented at Rencontres de la photographie d'Arles (2021), PHOTO 2021, Rencontres de Bamako (2019), Museum of the African Diaspora San Francisco (2019), Lagos Photo Festival (2018), New Art Exchange Nottingham (2018), and Aperture Summer Open (2015).